The network ADR API used by Nuendo can also be harnessed by other applications so that, for example, changes made by a project’s script editors or language translators can be sent directly into Nuendo for the sound team to deal with.

At the most basic level, this support allows an EdiCue PDF cue list to be imported into Nuendo and converted into cycle markers, but the integration can be taken much further: With EdiCue running on the same computer, or on a computer connected to the same local network as Nuendo, data can be transferred and synced directly between the two applications. New here is support for Sounds In Sync’s EdiCue v4 software, widely used for managing ADR and cue management in TV and film production projects. If your project does have an existing ADR script, Nuendo can import this and create marker tracks from it. Steinberg Nuendo 12’s headphones matching feature This is especially helpful if you are working on a project for which there is no existing ADR script available. You should change the title of this thread.From here, a new Create Markers From Events tool will create markers corresponding to each clip and can auto-set marker attributes using information derived from the clip – track name, timecode, scene number, and so on. So what you are comparing is functionality, NOT SOUND. And on top of that is the summing engine which behaves 'analogue' when driven. The productivity of Mixbus is exactly because of the built in knob-per-function channel strips, they are an organic part of the software and make your mixing faster than with other products where you spend a lot of time to add the functionality via plugin. That's the equivalent of comparing a passenger car to a tractor, by removing everything from the car that the tractor doesn't have.

(04-19-2020, 07:26 AM)madmaxmiller Wrote: (04-18-2020, 04:10 PM)waltermente Wrote: I think that the correct and more honest way to compare is to load the files in both daws, leave the faders and knobs all to zero, modifying the volumes from the gain of each region (do the same in both daw for each channel) and export them from this way, without adding compression or eq and in case of adding it, it should be with third-party products and in the same measure in the different daw.

Nuendo 10 vs cubase 10